historical fiction, magical realism
Set in a small Mexican village in the early 1900s, the villagers deal with fallout from the Mexican Revolution, the Spanish Flu, and
WWI. There are several unique and charming characters around which the story is
centered, particularly Simonopio who was abandoned as a baby with a cleft
palate and discovered by an old village woman while he was seemingly being
protected by a swarm of bees.
Told mostly chronologically, with stops/rewinds/restarts
from different points of view, it was well-crafted and beautifully told.
Normally, with this many perspective changes, an author would announce the time
period and/or the character’s name at the start of each chapter. However, Sofia Segovia did not do this. Thankfully, her excellent writing made things clear
pretty quickly. Interestingly, the story
was mostly told in third person by an omniscient narrator. But there were
chapters of The Murmur of Bees told in the first person, from a more current time period. This more recent point of view, looking back on other events in the book, gave a clue about
things that were to come for the Morales family.
This novel’s pacing was generally slow but not to the point
that I was bored. Segovia masterfully made the characters so loveable that the
reader wanted to spend time with them and find out what would happen to them.
She communicated the texture of this story so beautifully. Simonopio’s special
talents were a wonderful surprise for this lover of magical realism. (Also, I
love his name!)
At this time in my life, reading about the political and
social disagreements during the Mexican Revolution as well as the traumas of
the Spanish Flu made me sad. Americans have learned nothing, it seems, from
history. I mean, I already knew this but reading in detail about aspects of life which we are still facing today was depressing. Yet, despite the upsetting reminder of how ugly and
ignorant our civilization has become these days, this story wasn’t really about
those things. It was about love, family, and survival.
The narrators were Xe Sands and Angelo Di Loreto (he read
the first-person chapters). They were great voice actors! But the distraction
of the poor audio quality of Sands’ narration pulled me out of the story at times,
especially at the beginning before I was able to get used to it. Her voice
sounded muffled as if she was too close to the microphone. And she sometimes didn’t
pronounce things clearly. There were
times I had to rewind the audiobook to better understand what she had just
said. And that was VERY annoying. This happened less as the book went on. But that’s
a Big Problem for an audiobook. Because
of this, I cannot give Sands any more than a B- rating despite her effective
acting. I give Di Loreto an A-. Sadly, I just read that he died at a young age just over a year ago.
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