Amy 
fiction, family drama
Mia’s family is made up of two parents, herself and her twin
brother, and their younger brother, Eugene. Eugene has autism and Angelman Syndrome that cause him to be non-verbal.
When their father disappears while at the park with Eugene, this
family’s series of crises over the course of three days begins.
The main reasons for the initial investigation delays belong
to Mia herself who, in unsurprising 20-year-old fashion, is fairly oblivious to
anything other than herself and her own inner turmoil. The story progresses as
Mia tries to do some of her own sleuthing while, at the same time, trying to
help support her mother and care for Eugene. She is often a frustrating narrator,
diving into too much detail about things which don’t bring the story forward. But
I did like the way she would drop little bombs for the reader, giving us more
insight into her family’s dynamics.
Honestly, Part 1, which covers the first 20% of the novel,
was aggravating for me. Mia’s
perspective was tedious, misguided, non-intuitive, self-centered, and
slow. I kept mentally berating her on
her tangential nonsense. It felt like
this was a young adult novel geared toward middle schoolers where everything
gets overexplained. The information learned in the first 20% could have been
relayed in about 5% so it really tested my patience. I was in almost constant annoyance that the
kids were hindering the police investigation.
The entire first half of Happiness Falls continued to be
frustrating because, literally, the family was plunged from one trauma into
another without time to really address the previous issues. A LOT happened to these characters in only a few days! This book touched on
a huge list of contemporary issues like racism, anti-immigrant sentiment,
special needs resources, infidelity, feminism, anti-Asian sentiment, parenting
criticism, COVID-related difficulties, hate blogs, the juvenile justice system,
fact denial, confirmation bias, and stereotypes. In fact, the overall story
felt contrived in order to allow Angie Kim to raise her many grievances. They were certainly all valid points. There
just wasn’t any subtlety. I kept wanting more story and less agenda (that is,
fewer internal musings by Mia).
The most disturbing aspect of the story to me is impossible
to describe without spoilers. I will say that it’s shocking and concerning to
learn that the criminal justice system could be so utterly ill-equipped to deal
with people who have special needs. This storyline was truly eye-opening to me
and, frankly, is the most important aspect of the story to be shared
widely. I kept hoping this was an
exaggeration by the author but I fear not.
However, at around the 50% mark, there was a major discovery
and then the novel became riveting. The second half of the novel was truly
interesting and informative. I learned a lot about verbally-challenged people.
The timeframe of this novel, in 2020, set it right in the heart of the COVID-19
pandemic. I thought Kim did a great job setting the tone into those
illness-related restrictions and fears. The ending felt a bit unsatisfactory in
its lack of true closure, but it was the best ending for the family.
The audiobook narrators were Shannon Tyo (voicing Mia and
the bulk of the novel), Sean Patrick Hopkins (reading the sections from Mia’s
father’s journal), and Thomas Pruyn (voicing Eugene). As an ensemble, they did
a great job. Tyo was a good voice actor
with a repertoire of voices and accents. I have no complaints about Hopkins’
performance but his role required no real acting or character voicing. And,
learning that Pruyn has special needs and is an “unreliable speaker” who
can read written words out loud, I thought he was perfectly cast to read
Eugene’s words. I give the ensemble an A
for a job very well done.