Thursday, March 11, 2021

The Grace Year by Kim Liggett

Amy   

young adult

In Garner County, the 16 year old girls enter their Grace Year in an uber-patriarchal civilization. The girls are sent away into the wilderness to find their “magic” and, if they return, they “get” to marry the man who has claimed them. Tierney is a tomboy and not like the other Grace Year girls. She’s not interested in marriage and has done everything she can to avoid being claimed as a bride in order to maintain control over her own life. The novel describes her Grace Year.

I never love the literary device of a society based on an exaggerated policy where the reader already understands the negative connotations of the parameters in which the characters live. It makes me feel manipulated from the start and also makes the world described seem unbelievable.  It makes the story feel like an exercise and largely predictable. Inevitably, with these types of stories, the main character doesn’t want to follow the rules and the reader is automatically on their side. The Grace Year is no exception.

This novel was so full of extremely terrible people and situations that I just wanted to get through it for book club at first. The morals of the story seemed obvious from the beginning (patriarchal societies are terrible, women are people too, human rights are vital, etc.) so the only appeal in continuing to read for me was in the wondering how Tierney would get through the trials of the year and whether she would come to see things the way they actually are vs. how she was raised to view the world in this cultish lifestyle.

Surprisingly, though, it started to be not quite as predictable around the 2/3 mark and I began to realize the larger moral which is a more nuanced version of those I was expecting.  That is, women need to stick together, to quit cutting each other down, to quit making life a competition against each other, to learn to collaborate and share and empathize.  It’s also about the benefit of questioning belief systems and unfair societal practices.  These are the messages which made Kim Liggett's story worthwhile. It did not end as I expected and, for that, I also appreciated it.

The audiobook was narrated by Emily Shaffer and she did a very good job. She had a decent voice repertoire and was a great voice actor. I give her an A.

 



   


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