historical fiction, adventure
After Emmett’s release from a juvenile detention camp and
the death of his father, he and his 8-year-old brother, Billy, plan to drive
from Nebraska to California along The Lincoln Highway in order to start their
new life together. However, before their
new adventure can begin, two of Emmett’s friends from the detention camp appear
with their own plans. While on the way to the train station to drop off his
friends, Emmett is blindsided by betrayal and must figure out how to continue
on his journey with Billy.
What a marvelous novel! I love a good adventure and this
novel is full of good adventures.
Just when I thought I knew how things would go, Amor Towles would surprise me…all the way up until the very end! I had not expected Towles to keep me pleasantly surprised because I was disappointed by A Gentleman in Moscow which had been too slow-paced and plotless for me. Thankfully, The Lincoln Highway has plenty of forward motion and a storyline which kept me hooked. I loved the characters and had to know how things would turn out for all of them.
Sometimes, Towles would
take the story off on tangents that made the novel feel like a bunch of short
stories strung together. This occasionally ruined the forward momentum. Although the backstories ended up filling
in more details about various characters, all of these tangents (and a
key point in the novel I cannot specify without giving something away) are the
main reasons why I’m not giving this novel 5 stars.
Towles’ command of the English language is stunning. There
are few authors who make me truly appreciate their faculty of vocabulary and
sentence creation. Towles is one of
those people. His writing doesn’t get in
the way of the story at all but it makes the tale that much more
fun.
The novel started with Emmett’s point of view but then
switched between several other characters’ viewpoints. Unexpectedly, after thinking Emmett was the
protagonist of this novel since his story was the first to which the readers were
introduced, it began to seem that Duchess might be the protagonist. After all,
his sections were the only ones written in first person. But then Sally’s
sections were also in the first person.
How curious. I feel this
technique helped to keep several characters feel equally weighted. Although,
to me, Emmett was definitely the star. I look forward to discussing this aspect with my book club.
Some topics and themes that were revisited more than once in
this novel were routine days vs. experiences that break a person out of their
everyday life, orphaned children, men stepping in to be surrogate
father figures, Independence Day, Abraham Lincoln, and, of course, adventure and travel.
The main narrator of the three in this audiobook was Edoardo Ballerini who I have loved in other audiobooks. He did a terrific job with voice acting and
giving most characters their own voice.
I give him an A+. The other narrators
were Marin Ireland and Dion Graham, both of whom I’ve enjoyed in other
audiobooks, as well, and they did a great job with their small roles in this
one. I’ll give Graham an A+ but am only giving Ireland and A because I thought her acting was a little over the top sometimes. I would've liked to see Sally slightly less angry. Honestly, I don’t think this novel needed
three narrators and feel strongly that Ballerini could’ve handled all of it.
But it was a great production.

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