memoir
This audiobook is less like a book and more like an audio
documentary of Paul Simon’s music. It was produced from a series of “sessions”
in which Simon met with the famous author/journalist Malcolm Gladwell and
journalist/podcaster Bruce Headlam. It dives into Simon’s songwriting—his
aims, his accomplishments/failures, his ideas/strategies, his reflections—and
also analyzes his songwriting process.
Listening to these interviews made me so happy. It would
literally put a smile on my face frequently as I listened to Simon explain his
happy accidents and his in-depth understanding of musical theory. He’s been so
interested in duplicating sounds that intrigue him while also being open to so
many collaborative ideas with others. He’s a quiet man with many ideas. He also
appears to be most satisfied when deep into his music.
There was a good bit of actual music played—from new
performances captured by Gladwell/Headlam to old recordings. It was fun,
during their discussion of musical ideas, when Simon would say, “Here, let me
show you.” Hearing his thoughts on his hits and misses was enlightening. By including some of his collaborators and
fans in this “book”, Gladwell filled in the big picture.
Gladwell, in his typical data-based fashion, was able to
make a study of Simon’s songwriting by first identifying that his style of
creating art is experimental. He also recognized and highlighted Simon’s
incredible ability to recall details from his youth, similar to the way some
athletes are able to remember all the plays in a specific game from decades before.
With Simon’s memory, his drive to go after specific sounds and rhythms that
interest him, and his willingness to experiment and let other people’s ideas
make their way into the resulting songs, he has managed to continue to have a
long, successful musical career in which he is always creating new material.
My only complaints are few and they are with
writing/production choices—not the actual material presented within. Miracle and Wonder sometimes repeated points and comments made earlier. The number of things repeated felt like too much to me.
Secondly, between “chapters”, there was an unusually long break—about 5
seconds. That choice just bugged me.
I guess you could say this audiobook was “narrated” by
Malcolm Gladwell because he did frequently speak directly to the reader. His clarity and effective speaking earns him
an A from me. You could tell he really had fun during this project.

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